In the case of Francisco Rodríguez, painting is not just a way of seeing or thinking, but—more radically still—a way to be seen thinking and seeing out loud. The effort...
In the case of Francisco Rodríguez, painting is not just a way of seeing or thinking, but—more radically still—a way to be seen thinking and seeing out loud. The effort requires, of course, the construction of an eloquent image or narrative archive. That compelling archive, or imaginaire, constitutes the wellspring of what we have come to refer to as the artist’s creative vision.